Once you’ve spotted that moment, here’s what you do next: improvise a short story about it. Don’t write it down, don’t overthink it. Just start talking about it.
Let me show you what that could look like. Today, my story-worthy moment was getting annoyed while cleaning up the horse poop at home.
For the past two weeks, I’ve been staying at my mom’s farm in Germany. Now, she’s traveling right now, and so she asked me to take care of the animals—which I have no qualification for, by the way.
So this morning, I walked into the stables. And when I got there, I see this mess—horse poop just everywhere. And I’m thinking, seriously? Like how is this possible? I cleaned that up yesterday, and now it’s just everywhere again.
Angrily, I start cleaning it up. And with each shovel, I’m getting more and more mad. But while I’m lifting the poo into the cart, something hit me.
Wait—I’m not doing this to clean up the stable. I’m doing this for my mom. I’m doing this because I love her.
And with that, it actually started to feel okay. I didn’t feel angry about it anymore.
That’s when I realized—when you know how your task is helping someone, it actually becomes more meaningful, and also more easy.
Now, is that the most polished story that I’ve ever told? No, obviously not. But that’s not the point.
When you improvise, it’s not about getting every word right. It’s about training your brain to think in stories, to speak naturally without overpreparing, to get comfortable with the messiness.
That said, if you want to follow a simple structure to guide your stories, here’s one that I use all the time: Context, Adversity, Resolution, or C.A.R.
That’s it. Just don’t overcomplicate it.
All right. Now that you’ve spotted a moment and you’ve improvised the story based on that moment, what’s next?